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A former child star, Guinevere James, now 29, is washed up, overweight and not living up to her potential. As she struggles with her dark addiction to social media, she becomes increasingly obsessed with her former costar, Cadence Stone, who has blossomed into a modelesque A-lister at the top of the game. When Guinevere receives an invitation to a 20th-anniversary special for her signature Gelee commercials, she heads to the event ready for her big comeback only to have her hopes dashed when no one shows up. Guinevere doesn't stick around to the end of the event but when she gets home she learns that Suzy Hazelwood, another former costar turned drug addict has died from an overdose, prompting Guinevere to question 'What if I don't get to do what I set out to'. Guinevere chooses to take any means necessary to get back on top. Finally, after uploading a series of Youtube videos in an attempt to gain new fans, Guinevere becomes a social media darling when one of her videos goes viral and starts an Internet sensation, nicknamed by Bloggers: Breakfast at Guinevere's. However, when her new celebrity reaches a new ceiling she begins to push the limits of her desire for fame, consequently destroying her familial relationships and friendships in her quest to regain the success she thinks she deserves.

Sales Points

• Highly topical examining social media in connection with fame. Hip Brooklyn sounding soundtrack.

Press Quotes

'Delusions of Guinevere' cautions on pitfalls of YouTube fame.

     —Michael Rechtshaffen , Los Angeles Times

A savvy if uneven satire about a struggling 29-year-old actress whose career peaked two decades earlier.

     —Michael Rechtshaffen , Los Angeles Times

It's overambitious for its tiny budget, but hooray for female filmmakers pushing in and taking space for their own stories of sympathetic screw-ups.

     —MaryAnn Johanson , Flick Filosopher

Directed by Joanna Bowzer, the darkly humorous 'Delusions of Guinevere' makes some sly and smart observations about what passes for celebrity status today.

     —Daniel M. Gold , New York Times