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Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan ("Surpass Men" in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman's biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong's debut waltzes across the bitterness swallowed by her generation of women born under China's One Child Policy, unprecedentedly burdened to "surpass men" while trying not to be "leftover women" at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel's transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

Media

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Bonus Materials

• Music Video
• Trailer

Sales Points

• North American Theatrical Release
• Official Selection, Hong Kong Asian Film Festival
• Nominee, Best Directorial Debut, Best Writing, Best Actress, Best Supporting Actress, Golden Rooster Awards
• Cinema Icon Award, Singapore International Film Festival
• Nominee, Best Director, Best Film, Shanghai International Film Festival
• Official Selection, San Diego Asian Film Festival
• Official Selection, St. Louis International Film Festival
• Female Filmmaker

Press Quotes

Yao's soulful and stirring performance as a complex woman struggling to understand herself - and life itself - anchors 'Send Me to the Clouds,' allowing it to truly soar.

     —Katie Walsh, Los Angeles Times

One of the most original, moving, subtly funny, and disarmingly entertaining foreign language films of the year.

     —Andrew Parker, The Gate

An honest and broadly recognizable picture of modern womanhood... a cinematic roar -- and universal despite its geographic specificity.

     —Elizabeth Kerr, Hollywood Reporter

Teng's fine-tuned direction and Yao's spot-on performance combine impressively to maintain Sheng Nan's dignity and deepen viewers' sympathy even as she stumbles, blunders and suffers embarrassment in her pursuit of satisfaction.

     —Richard Kuipers, Variety

It's an irresistible, brilliant feminist portrait that provokes and entertains.

     —Anne Brodie, What She Said