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Ten women find themselves in a vacant mansion on Spektor Island in December, 1972. Each believes she's traveled to the house on business, but they all agree that something seems strange. For one thing, the entire house is full of pictures and statues of pigs. The women all come from drastically different walks of life. None of them would have chosen to spend the night together in such an eerie place, but the last ferry for the mainland has just left, and a terrible storm is rolling in. Trying to make the best of an unpleasant situation, they raid the mansion's wine cellar and throw a party. As the night creeps on, however, it becomes clear that someone--or something--has lied to get them in the house. It's not long before someone mentions that Spektor Island is supposed to be haunted. Of course, no one in the house believes in ghosts. At least, not until the first murder. What do an actress, a religious zealot, a renegade, a coed, a model, a singer, a medium, a real-estate investor, a historian, and a doctor have in common? None of them is who they seem. Yet, the fate of the entire world may rest in their hands.

Media

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Bonus Materials

• Original Trailer
• Deleted Scenes
• New Trailer

Sales Points

• WINNER Best Actress Terror Con Film Festival
• Official Selection Imaginarium Film Festival
• Official Selection New Orleans Comic Expo
• Official Selection Scare-a-con Film Festival
• Official Selection Fright Night Film Festival
• Official Selection Boston Underground Film Festival
• Directors Sophia and Michael were interviewed for a full-page feature on TEN in Fangoria
• Official Selection Brooklyn Girl Film Festival
• Official Selection Sanford International Film Festival
• Official Selection Terror Con Film Festival

Press Quotes

Looking to subvert audience expectations

     —Fangoria

Entertaining, intellectual, and artistically bold

     —DigBoston

More twists and turns than a gordian knot

     —All Things Horror

An Indie movie making its mark

     —Curve

Meticulously framed shots full of color

     —Boston Herald