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Under the gloomy sky of a small town in northern China, different protagonists' lives are intertwined in this furious tale of nihilistic rage. While protecting his friend from a dangerous school bully, 16-year-old WEI Bu pushes the tormentor down a staircase. WEI escapes the scene and later learns that the bully is hospitalized and gravely injured. WEI's neighbor, the 60-year-old WANG Jin, is estranged from his family and, with nothing to lose, decides to join him. Later the pair is joined by HUANG Ling, WEI's classmate. She is bedeviled by a destructive affair with a married school official. Together, this unlikely and desperate trio, decide their only hope is to flee as the bully's gangster brother, enraged parents, and vindictive school authorities all go on a cold-blooded hunt for WEI across town. As WEI threads his way through the urban wilderness, he begins to come to terms with his own lost life. In the end, he boards a long-distance bus with HUANG and WANG toward a city in Manchuria, where it is a rumored that a circus elephant is said to be sitting still, seeming oblivious to pain and tribulations of the world at large.

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Sales Points

• Winner of 18 Awards and 40 more nominations, including Best Picture, Director, and Screenplay
• Certified Fresh on Rotten Tomatoes with a near-perfect score of 94% on the tomatometer
• Director Bo Hu committed suicide before his film was released, creating controversy ahead of universal acclaim

Press Quotes

An Elephant Sitting Still exudes so much elegance, frame precision and ingenuity. Hu Bo's first and last feature is destined to have a place in cinema

     —Andrew Stover, Film Inquiry

Beautiful, mysterious, lyrical and somehow relaxing in spite of its sadness and persistent instances of violence, there's a hallucinatory aura that surrounds Hu's film, thanks primarily to the lyricism of his camera

     —Patrick Gamble, CinVue

[Hu] has given us a triumph of bold sociopolitical critique and intimate human portraiture, and a reminder that you rarely encounter the one without the other

     —Justin Chang, Los Angeles Times

This is a film of extraordinary beauty, invention, and grace

     —Jonathan Romney, Film Comment