• List Price: $17.99  
• Your Price: $17.99
• In Stock: 400

You must login to place orders.




Not purchasing for a business? See our consumer site.

In the final run-up to the millenium, it is very unlikely that you would not have heard of FRIENDS, the world renowned television comedy, created by David Crane and Marta Kauffman with music by Michael Skloff. Alongside such hits as CHEERS, FRASIER and SEINFELD, they were part of the vanguard that brought American comic irony to the "we didn't know what we were missing" millions. What many don't know is that Crane and Kauffman had sharpened their comic (bite?) teeth in the theatre, particularly, with musical comedies and sketch revues on and Off-Broadway. Even with an open heart and mind, Personals may seem like a cursory glance into the unfortunate state of contemporary relationships. Romance is not the ever-elusive "Holy Grail." Through trial and tribulation as well as great adversity, one may eventually find their golden chalice, but the taxes, maintenance and security to protect this priceless treasure might bankrupt the most careful collector. Although battling singledom can often be like betting on an abstract horse race where you've picked the long shot and the jockey is carrying the horse, sometimes, with the right two people, it can all be worth it. Personals was written by a trinity of writers David Crane, Seth Friedman, and Marta Kauffman. From numerous interviews, it was obvious that the three writers had been collaborating so long together that they practically spoke in unison and consistently finished each other's sentences. They met at Brandeis College when they were fledgling drama students and the threesome, in their late twenties, had known each other for almost a decade. Personals was the offspring of this eight-year conjugation of knowing minds. When this threesome first came up with the idea as students at Brandeis, they saw personal ads as a satirical phenomenon. Even though that first show won the American College Theatre Festival and was performed at the Kennedy Center, they continued to rework it, inserting with each subsequent draft their growing first hand knowledge of being out there without a life-mate. "That's how we wrote Personals," says Marta, "we were desperately looking for subject matter and came across the personals and thought it was a funny idea for a song, then we thought of it as a show, not just a song." David adds, "it was conceived as revue but it has developed a throughline and a number of book characters..."and Seth chimes in "while keeping a revue style all the way through." David confirms, "of the original Personals at Brandeis, only one song is still in the show and about 75 percent of the sketch material is new." The first thing they did when they originally wrote the show was read pages and pages of personal ads from a whole variety of papers and magazines all over the U.S., not just the Village Voice but everything from Screw Magazine to the New York Review of Books. Their favorite ones aren't in the show anymore, but they realized that personals were written by people who believed that it was the best way to reach out to others. Although all three had contributed to other Off-Broadway shows, including A ... My Name Is Alice which had a long run at the Village Gate and Martin Charnin's Upstairs at O'Neal's, this one was all their own, the first child.

Track Listing