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Product Details

  • An MVD Exclusive
  • SKU: BMCCD060
  • Format: CD
  • UPC: 731406845321
  • Street Date: 06/14/01
  • PreBook Date: 01/01/01
  • Label: BMC Records »
  • Genre: Classical
  • Run Time: 62 mins
  • Number of Discs: 1
  • Year of Production: 2001
  • Box Lot: 25
  • Territory: NA,GB,AU

 

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Franz Liszt - Late Works

Franz Liszt - Late Works
  • List Price: $11.99  
  • Your Price: $11.99
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Late piano works arranged, orchestrated and conducted by György Selmeczi "Could it be that Liszt is to find his true contemporaries in the century now at hand'" András Batta

Track Listing

  • Camerata Transsylvanica; György Selmeczi
  • Quatre valses oubliées: Premiére valse oubliée
  • Quatre valses oubliées: Deuxiéme valse oubliée
  • Quatre valses oubliées: Troisiéme valse oubliée
  • Quatre valses oubliées: Quatriéme valse oubliée
  • Hungarian historical portraits: István Széchenyi
  • Hungarian historical portraits: József Eötvös
  • Hungarian historical portraits: Mihály Vörösmarty
  • Hungarian historical portraits: László Teleki
  • Hungarian historical portraits: Ferenc Deák
  • Hungarian historical portraits: Sándor Petőfi
  • Hungarian historical portraits: Mihály Mosonyi
  • Csárdás macabre

Press Quotes

Selmeczi's orchestration, for large chamber orchestra, includes only instruments that Liszt most likely would have used himself. Aside from strings and modest woodwind and brass, the percussion is basically limited to snare drum, triangle, and glockenspiel, and Selmeczi takes great pains to preserve the music's fundamental austerity while enhancing its range of color. Aided by some really excellent playing by the Camerata Transsylvanica, this must be counted one of the more sensitive and successful orchestral arrangements in many a moon. The sonics, a little on the dry side but very clear, allow you to hear every detail, opening out well at the climaxes. Highly recommended on all counts.

     —David Hurwitz, ClassicsToday.com

The Camerata Transylvanica is a fine chamber orchestra. There are moments when Selmeczi makes them sound like a café orchestra, with wind and string solos revealing confident professionals. There is more to Liszt than the Liebesträume, as this wistful, delightful program shows. Late Liszt needs more champions. Selmeczi accepts the challenge most admirably.

     — Grant Chu Covell, La Folia

  

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