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Product Details

  • An MVD Exclusive
  • SKU: ICR013
  • Format: CD
  • UPC: 683615156197
  • Street Date: 02/21/20
  • PreBook Date: 01/03/20
  • Label: In A Circle Records »
  • Genre: Classical
  • Run Time: 108:02 mins
  • Number of Discs: 2
  • Year of Production: 2019
  • Box Lot: 30
  • Territory: WORLD
  • Language: English

 

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Johnny Gandelsman - J.S. Bach: Complete Cello Suites (Transcribed For Violin)

A follow-up to Gandelsman's celebrated debut recording of Bach's complete Sonatas and Partitas.

Johnny Gandelsman - J.S. Bach: Complete Cello Suites (Transcribed For Violin)
  • List Price: $24.99  New Price!
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  • In Stock: 10

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JS Bach's cello suites are known and loved by classical aficionados worldwide. These are the second known recordings of the suites on violin and the first to feature the 6th Suite on 5-string violin. Gandelsman's years of experience with master musicians from various world traditions (Bela Fleck, Martin Hayes, Kayhan Kalhor) bring a refreshing deeply personal view to these magnificent works. 2020 Tour Dates: Brooklyn, NY - December 6 & 8 Washington, DC - December 11 Asheville, NC - December 12 Richmond, VA - December 14 Lebanon, NH - February 7 Boston, MA - February 8 Chapel Hill, NC - February 9 Chicago, IL - February 13 Eau Claire, WI - February 15 Spartanburg, SC - March 13 Santa Ynez, CA - March 20 Los Angeles, CA - March 21 San Diego, CA - March 23

Track Listing

Disc 1:
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 I. Prélude
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 II. Allemande
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 III. Courante
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 IV. Sarabande
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 V. Menuet I & II
  • Suite No.1, in G Major (transposed to D Major), BWV 1007 VI. Gigue
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 I. Prélude
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 II. Allemande
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 III. Courante
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 IV. Sarabande
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 V. Menuett I & II
  • Suite No.2, in D minor (transposed to A minor), BWV 1008 VI. Gigue
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 I. Prélude
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 II. Allemande
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 III. Courante
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 IV. Sarabande
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 V. Bourrée I & II
  • Suite No.3, in C Major (transposed to G Major), BWV 1009 VI. Gigue
    • Disc 2:
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 I. Prélude
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 II. Allemande
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 III. Courante
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 IV. Sarabande
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 V. Bourrée I & II
    • Suite No.4, in E-flat Major (transposed to B-flat Major), BWV 1010 VI. Gigue
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 I. Prélude
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 II. Allemande
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 III. Courante
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 IV. Sarabande
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 V. Gavotte I & II
    • Suite No.5, in C minor (transposed to G minor), BWV 1011 VI. Gigue
    • Suite No.6, in D major, BWV 1012 I. Prélude
    • Suite No.6, in D major, BWV 1012 II. Allemande
    • Suite No.6, in D major, BWV 1012 III. Courante
    • Suite No.6, in D major, BWV 1012 IV. Sarabande
    • Suite No.6, in D major, BWV 1012 V. Gavotte I & II
    • Suite No.6, in D major, BWV 1012 VI. Gigue

Sales Points

  • Brooklyn NY 12/6 & 12/8, Washington DC 12/11, Asheville NC 12/12, Richmond VA 12/14, Lebanon NH 2/7, Boston MA 2/8, Chapel Hill NC 2/9, Chicago IL 2/13, Eau Claire WI 2/15, Spartanburg SC 3/13, Santa Ynez CA 3/20, Los Angeles CA 3/21, San Diego 3/23
  • Johnny Gandelsman will tour the album extensively in the US, including shows in New York, Boston, Washington DC, Chicago, Los Angeles and San Diego
  • Richard Brody of The New Yorker has called Grammy-award winning violinist and producer Gandelsman 'revelatory' in performance, placing him in the company of 'radically transformative' performers like Maurizio Pollini, Peter Serkin and Christian Zacharias
  • For Fans of Brooklyn Rider, Yo-Yo Ma, Silk Road Ensemble, Anner Bylsma, Bela Fleck, Martin Hayes
  • Gandelsman's album of Sonatas and Partitas (2018) reached No.1 on Billboard Classical Chart, and was featured on end-of-year Best lists by The New York Times, NY Magazine and WBUR
  • Full Service press/publicity/radio campaign by label's in-house PR firm; including, but not limited to viral/email campaigns, physical promotional mailouts, radio promotion, etc.

Press Quotes

There are many fine recordings and several great ones of these sonatas and partitas, and now a new one by Johnny Gandelsman takes its place among the very best

     —NPR's Fresh Air

Crisp, buoyant and with a sweet clarity of tone, it's one of the most dance-like takes on this daunting set of masterpieces

     —The New York Times

An extraordinary CD. This is music that requires titanium technique and - even rarer - a rich inner life. Live and on disc, Gandelsman shares them both.

     —NY Magazine

Sparklingly personal Bach, shorn of grandeur, lofted by the spirit of dance, and as predictable as the flight of a swallow

     —The Boston Globe

Exquisite expressive directness

     —San Francisco Chronicle

Weight turned into weightlessness... An exquisitely personal vision of Bach, all radical sincerity and glinting light.

     —The Boston Globe

'It may feel as if the world doesn't need yet another recording of Bach's solo works for violin or cello. But Johnny Gandelsman's contributions feel necessary ... radically weightless, at times seemingly improvisatory, and completely grounded in dance.'

     —Joshua Barone , The New York Times

  

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