Product Details
- An MVD Exclusive
- SKU: CLO0812
- Format: DVD
- UPC: 889466081293
- Street Date: 07/10/18
- PreBook Date: 05/08/18
- Label: Cleopatra Entertainment »
- Genre: Drama
- Run Time: 105 mins
- Number of Discs: 1
- Audio: 5.1 SURROUND
- Year of Production: 2017
- Region Code: 0
- Box Lot: 30
- Territory: US,CA
- Language: English
Cast & Crew
- Actors:
- FREYA MAVOR
- JOSH WHITEHOUSE
- WILL MERRICK
- MATT MILNE
- TOM RILEY
- DAISY BEVAN
- SORCHA CUSACK
- JESSIE CAVE
- STEVEN MACKINTOSH AND IAN HART
- Director: Daniel Gill
- Producer: Dominic Norris
Product Assets
Modern Life Is Rubbish
The Strongest Beat Is From The Heart
- List Price: $14.95 New Price!
- Your Price: $14.95
- In Stock: 100
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Brought together by their shared love of music, ten years on Liam and Natalie are at breaking point. In their case opposites attract but don't necessarily work long-term. Making the difficult decision to separate, they must split their prized music library. But the sound track that defined their relationship keeps pulling them back together.
Media
Sales Points
- Features selected msuic from The Smiths, Oasis, Radiohead and other '80s and '90s bands!
- The film stars up-and-coming British actress Freya Mavor (The Sense of an Ending), Josh Whithouse (from the BBC smash 'Poldark') and Tom Riley (Kill Your Friends, Return to the House on Haunted Hill)
- Title of the film inspired by the classic album by 'Blur'
- OFFICIAL SELECTION: Edinburgh Film Festival
- OFFICIAL SELECTION: Hawaii International Film Festival
Press Quotes
If Nick Hornby had considered structuring High Fidelity like 500 Days of Summer, the outcome might look something like the smart, music-centric British romantic comedy Modern Life Is Rubbish.
—Justin Lowe, The Hollywood Reporter
Jerome Gill's lighthearted debut feature will certainly appeal to pop culture geeks as well as indie-movie lovers
—Justin Lowe, The Hollywood Reporter
Poignant 'Modern Life Is Rubbish' will appeal to music buffs
—Noel Murray, Los Angeles Times
Exploring a relationship by flicking between beginning and end, this British drama is skilfully shot, edited and played
—Rich Cline, Shadows On The Wall
