Product Details
- An MVD Exclusive
- SKU: D94019
- Format: BLU-RAY DISC
- UPC: 738956940193
- Street Date: 04/28/20
- PreBook Date: 03/24/20
- Label: Dark Force Entertainment »
- Genre: Horror
- Run Time: 94 mins
- Number of Discs: 1
- Audio: STEREO
- Year of Production: 2002
- Region Code: 0
- Box Lot: 30
- Territory: NORTH AMERICA
- Language: English
Cast & Crew
- Actors:
- Corey Haim as Tony
- Priscilla Barnes as Stephanie
- Charles Fleischer as Henry
- Ken Sagoes as Mike
- Director: David DeFalco
- Producer: Steven Jay Bernheim
- Producers: Steven Jay Bernheim
Product Assets
The Back Lot Murders
Hollywood... Where Your Best Friends Stab You in the Back!
- List Price: $24.95
- Your Price: $24.95
- In Stock: -1
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The Back Lot Murders takes the slasher genre and twists it! Blending horror and satire, it tells the story of Wiseguys, a rock band on the brink of stardom, shooting their first video on the back lot of the world's most famous movie studio. Little do they know that they are their beautiful girl friends are targets of a deranged psycho killer! One by one the cast and crew begin disappearing into the night only to turn up as ghastly victims. Featuring an all-star cast including Priscilla Barnes (Mallrats), Charles Fleischer (Who Framed Roger Rabbit) and Corey Haim (The Lost Boys) in this Hollywood send-up with an entirely new take on the classic horror slasher genre!
Media
Bonus Materials
- Behind the Scenes interviews with interviews with cast members Brian Gaskill (Models Inc.), Carrie Stevens (Rock Star) and Charles Fleischer (Who Framed Roger Rabbit?)
- Commentary with Director David DeFalco and Code Red's 'Banana Man'
Sales Points
- Filmed as Universal Studios backlot and featuring classic sets from PSYCHO, THE LOST WORLD and THE HUNCHBACK OF NOTRE DAME.
- Brand new 4K scan of the original camera negative!
- All-star cast includes Priscilla Barnes (Mallrats), Charles Fleischer (Who Framed Roger Rabbit), Ken Sagoes (Nightmare on Elm Street 3) and Corey Haim (The Lost Boys)
Press Quotes
Good, trashy fun.
—eFilmcritic.com