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“Father And Son” is a virtuoso conversation in the art of contemporary jazz guitar. This duo can launch into swing mode, or strut out towards rock, they are capable of being both lyrical and percussively extrovert, they can dream ballads or go at breakneck speed. And whether they are telling tales of exotic lands or contemplating their native Sweden, the pair — with their instinct for atmosphere, their sensitivity to acoustics and balance — make soul-stirring, affecting and compelling music, in which the listener can detect the closeness of their connection to each other. The musical backgrounds of father and son are very different. Ulf Wakenius had ten years as a member of the Oscar Peterson Quartet and also worked with the two legends of the bass, Ray Brown and Niels-Henning Ørsted Pedersen. He is known for his collaborations with great jazz figures such as Pat Metheny and Michael Brecker, and of course for his work with the singer Youn Sun Nah. His son Eric, by contrast was born in 1988 and surrounded as a teenager by the rock music of the nineties. After that, he spent a lot of time in Los Angeles, where he picked up many different stylistic directions from that city’s musical melting pot. The two guitarists take the opportunity on “Father And Son” to explore and to exploit these multiple possibilities to the full: “Irish Vagabond” combines full-on Irish folk music with Arabic elements. “Mistral” is rhythmically punchy, almost like a rock tune, and also has echoes of Al Di Meola. Their “Eleanor Rigby” is captivating; as they honour the Beatles, they achieve a sonority remarkably close to a string quartet. “Paco’s Delight” pays tribute to the unforgettable Paco de Lucía. With their arrangement of the jazz-fusion classic “Birdland”, Ulf and Eric Wakenius remember another of the pantheon of musical immortals, Joe Zawinul. And finally, Eric Wakenius takes the listener by surprise as a highly persuasive singer in the album's title track by Cat Stevens.

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